Donna the Buffalo - 5/19/17Friday, May 19 2017 6:00 PM Doors / 8:00 PM Start
- Front Premier
at City Winery Chicago
Distinctive, groove-heavy, and danceable, Donna the Buffalo is a band for the people
One of the most dynamic and determined bands continuously touring America for since 1989, Donna the Buffalo has created a community environment at their shows through their distinctive, groove-heavy, and danceable music. Donna the Buffalo is a band for the people that is accessible, positive, and memorable. With roots in old time fiddle music that evolved into a soulful electric American mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country, Donna’s music often contains social and moral responsibility as core beliefs, and they are just simply fun to get out and celebrate life with.
“For the dizzying array of styles and genres with which they work, Donna The Buffalo maintain a surprising level of consistency… over the course of their 25-year career, they retain a sharp focus that has helped them create some truly lasting music…” writes Elmore. “Few groups are this comfortable as performers, and even fewer would take as many risks.”
Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, guitar, fiddle, accordion, scrubboard) joined by David McCracken (Hammond organ, Honer Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums). “It’s been really fun with this lineup,” Puryear says. “You get to the point where you’re playing on a really high level, things are clicking and it’s like turning on the key to a really good car. It just goes.”
Donna the Buffalo plays music that often moves listeners physically and spiritually. In the words of a longtime fan, “Their songs are well known to contain lyrics offering poetry and sage commentary on the attractions and struggles with love and politics in this life. Their magnetic musical mix has often been described as dance music, and, for sure, there is everything from foot-tapping to get-up-and-feel-ecstatic moving in their sound; but there is also some deeply satisfying solace in what DTB has to say and how they say it.”