Carolina Chocolate Drops, Special guest Sanctified Grumblers - 6/256:00 pm Doors / 8:00 pm Start
About Carolina Chocolate Drops
With their 2010 Nonesuch debut, Genuine Negro Jig—which garnered a Best Traditional Folk Album Grammy last year—the Carolina Chocolate Drops proved that the old-time, fiddle and banjo-based music they’d so scrupulously researched and passionately performed could be a living, breathing, ever-evolving sound. Starting with material culled from the Piedmont region of the Carolinas, they sought to freshly interpret this work, not merely recreate it, highlighting the central role African-Americans played in shaping our nation’s popular music from its beginnings more than a century ago. The virtuosic trio’s approach was provocative and revelatory. Their concerts, The New York Times declared, were “an end-to-end display of excellence… They dip into styles of Southern black music from the 1920s and ’30s—string-band music, jug-band music, fife and drum, early jazz—and beam their curiosity outward. They make short work of their instructive mission and spend their energy on things that require it: flatfoot dancing, jug playing, shouting.”
On Leaving Eden, produced by Nashville stalwart Buddy Miller—the go-to guy for artists ranging from Robert Plant to Emmylou Harris—and recorded in his home studio, the Carolina Chocolate Drops illustrate their own adaptability to growth and change as the original lineup expands from three to five players for this recording and their new repertoire incorporates more blues, jazz and folk balladry alongside brilliantly rendered string-band tunes. The group’s founding members Rhiannon Giddens and Dom Flemons, both singers and multi-instrumentalists, were used to working together (CCD had evolved out of their previous group, Sankofa Strings) but they needed back-up for their second full-length Nonesuch disc. Help came in the form of three new players: beat-boxer Adam Matta, introduced to the band by their friends in NYC’s Luminescent Orchestrii (with whom they’d released a live EP on Nonesuch in 2011) and Brooklyn-based guitarist, banjo player and singer Hubby Jenkins and New Orleans-based cellist Leyla McCalla, both of whom the band had befriended via the Music Maker Relief Foundation, which helps to support elder roots artists and encourage young talent. Jenkins is now a full-time member of the group; Matta, after touring with CCD throughout 2011, will make occasional guest appearances; and McCalla will round out CCD’s 2012 touring line-up.
Flemons points out: “There’s a new diversity that comes from the new ensemble. My thought process of how I put together songs for the Carolina Chocolate Drops now is more like working with a jazz group. I could make it work in any sort of way. Based on the players that you have, you can do different things with the arrangements. It was helpful that Hubby also played guitar. Up to then, I was the only one in the group who worked with chords. Rhiannon plays her instruments melodically instead of around chords and the rhythm of the chords. I had been working on ‘Mahalla’ [an arrangement of a joyfully upbeat piece from spoon-wielding South African slide guitarist and YouTube phenomenon Hannes Coetzee] for a while on my own, just on the banjo, and I would have liked to have guitar on it too, but I couldn’t get anyone to back me up. Hubby happened to know the song as well, so that track came out of Hubby being there. Adam brought a great, pumping bass vocal part to ‘Po’ Black Sheep,’ and ‘Country Girl’ also has Adam’s particular flavor—along with Leyla’ s cello.”
About Sanctified Grumblers
Chicago's Sanctified Grumblers formed in the Spring of 2009 when Rick Sherry (Devil in a Woodpile) and Eric Noden started writing songs together. Using only acoustic instruments, they usually play as a trio with either Beau Sample (upright bass) or Mike Hogg (sousaphone). Sanctified Grumblers' album No Lie features special guests Jim Becker (Califone, Iron & Wine), Mike Reed (People, Places and Things) and Tom V. Ray (bass player for Neko Case & Jakob Dylan).
The band has also performed behind delta blues legend Honeyboy Edwards and Chicago harmonica great Billy Boy Arnold.
"If their name doesn't grab you, their music most definitely will"--Sing Out
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