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Muara-th

03/28/2010

Maura O'Connell


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04/18/2010

Klezmer Brunch


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04/25/2010

Klezmer Brunch


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05/02/2010

Klezmer Brunch


Al-stewart-th

05/13/2010

Al Stewart


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05/16/2010

Klezmer Brunch


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05/18/2010

Raul Midón


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05/20/2010

The Proclaimers


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05/23/2010

Klezmer Brunch


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06/02/2010

Lisa Loeb


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06/06/2010

Klezmer Brunch


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06/13/2010

Klezmer Brunch


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06/13/2010

Joyce Moreno


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06/15/2010

Suzy Bogguss


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06/27/2010

Klezmer Brunch


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07/04/2010

Klezmer Brunch


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07/09/2010

James Hunter


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07/11/2010

Klezmer Brunch


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07/18/2010

Klezmer Brunch


Sandra-bernhard-th

07/22/2010

Sandra Bernhard


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07/25/2010

Klezmer Brunch


Sandra-bernhard-th

07/27/2010

Sandra Bernhard


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08/01/2010

Klezmer Brunch


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08/08/2010

Klezmer Brunch


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08/15/2010

Klezmer Brunch


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08/22/2010

Klezmer Brunch


Klezbrunch-sm

08/29/2010

Klezmer Brunch


Jack-opierce-th

09/23/2010

Jackopierce


Music Event February 17, 2010

The-moth-banner
  • Stiffs: Stories of the Nearly and Dearly Departed
  • 7:30pm


 

On the Web

www.themoth.org/about

Tickets go on sale Feb. 9th for VinoFile members. Tickets on sale to the general public on Feb. 11th.

5:00pm DOORS/7:30pm SHOW

What is The Moth?

The Moth is an acclaimed nonprofit organization dedicated to the art of storytelling. The Moth conducts six ongoing programs— The Moth Mainstage, Moth Storyslams, Mothshop Community Program, The Moth on the Road, Mothshop Corporate, and the annual Moth Ball — and has presented more than three thousand stories told live and without notes from people of all walks of life. In 2008, The Moth podcast was launched and has since been downloaded more than 6.5 million times. Since its launch, in August, 2009, The Moth Radio Hour, which is produced by Jay Allison and distributed by PRX, has been licensed to more than two hundred stations across the country.

www.themoth.org

“The success of The Moth is one example of the phenomenon of storytelling that is gaining momentum nationwide. In The Moth’s case, these narrative sessions are fast becoming an institution.” - The New York Times


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