Kathleen Edwards with Sera Cahoone - 1/30Wednesday, January 30 2013 6:00pm Doors / 8:00pm Start
ABOUT KATHLEEN EDWARDS
Voyageur is less of a departure than it is a journey, and like any transforming trip, it demands that we let go of any preconceptions about the destination. These songs are the perfect travel companions to their own haunted landscape. Edwards guides us through a house full of empty rooms, revealing the sadness behind a public smile and the numbness that follows broken expectations and the casual cruelties of love, until we find ourselves softly drifting down to hell with her. And yet, this isn’t a bummer ride at all — it’s elevating. The Romantic poet William Wordsworth said that poetry is born in “emotion recollected in tranquility,” and Voyageur evokes a spectrum of overwhelming feelings within the atmosphere of a lucid dream. Edward’s characters speak to the grief, loneliness, shock, and confusion that come with endings as well as the hope and irrepressible joy that accompany new beginnings, but the stories are told with a seductively quiet strength. The album celebrates the many pleasures of survival and reinvention, suggesting that an acceptance of life’s changeability is what will allow us to face the hardest of hard times — as well as the exhilarating longing and dislocation of the unknown — head on, with grace.
ABOUT SERA CAHOONE
The daughter of a dynamite salesman in the Colorado foothills, Sera got her start on the drums at 11, and at 12 her mom was taking her to dive bars to sit in with the scruffy old bluesmen. By the time she picked up a guitar, she had been so shaped by these things – the dynamite, the blues, the woods and the hills – it’s no surprise she went on to be one of the strongest songwriters in Seattle’s ever-vibrant Americana scene.
Since migrating to Seattle in 1998, she has played with Carissa’s Wierd, Band of Horses, Betsy Olson, and singer-songwriter Patrick Park. She released her solo debut in 2006, and her widely acclaimed Sub Pop debut Only as the Day Is Long in 2008.
Her third solo album Deer Creek Canyon sees her ruminating on the gravitational pull of home. Titled for the Colorado canyon where she came of age, where her mother still lives, Deer Creek Canyon delves deeper and sees her voice remarkably stronger than on her past albums. Where her previous efforts explored the complicated throes of dark emotions, this album is more richly focused. Home is even present in the more personal songs struggling with various facets of love and friendship.