The 5th Annual Hudson Square Music & Wine Festival: Carolyn Wonderland w/ Sasha Dobson - 8/27Wednesday, November 27 2013 5:00pm Doors / 5:30pm Start / Ends 7:30pm
City Winery is proud to announce the 5th Annual Hudson Square Music & Wine Festival - a fun, FREE "After-Work Backyard Party" held every Tuesday from June 4th through August 27th, from 5:00PM-7:30PM!
Food and beverages will be available for purchase - there will be an assortment of wines from City Winery, ice cold beer from Radeberger, ice cream and ice cream sandwiches from Jacques Torres, and hot dogs and other snacks offered by Great Performances.
ABOUT CAROLYN WONDERLAND:A musical force equipped with the soulful vocals of Janis and the guitar slinging skills of Stevie Ray, Carolyn Wonderland reaches into the depths of the Texas blues tradition with the wit of a poet. She hits the stage with unmatched presence, a true legend in her time.
“She'd grown up the child of a singer in a band and began playing her mother's vintage Martin guitar when other girls were dressing dolls. She'd gone from being the teenage toast of her hometown Houston to sleeping in her van in Austin amid heaps of critical acclaim for fine recordings Alcohol & Salvation, Bloodless Revolution, and most recently, Miss Understood.
Along with the guitar and the multitude of other instruments she learned to play – trumpet, accordion, piano, mandolin, lap steel – Wonderland's ability to whistle remains most unusual. Whistling is a uniquely vocal art seldom invoked in modern music, yet it's among the most spectacular talents the human voice possesses.
That vocal proficiency was well-established in the singer's midteens, landing her gigs at Fitzgerald's by age 15. She absorbed Houston influences like Little Screamin' Kenny and soaked up the Mad Hatter of Texas music, Doug Sahm. The Lone Star State was as credible and fertile a proving ground for blues in the 1980s as existed, especially in Austin with Stevie Ray Vaughan & Double Trouble, the Fabulous Thunderbirds, Angela Strehli, Omar & the Howlers, and Lou Ann Barton all in their prime. By the following decade, Austin's blues luster thinned, but Houston, always a bastion of soul and R&B, boasted the Imperial Monkeys with the effervescent Carolyn Wonderland as ruler of the jungle.
In the early 1990s Wonderland & the Imperial Monkeys were invited to the Guadalupe Street Antone's in Austin. There, they were treated like royalty with the singer as the queen of hearts in the club's post-Stevie Ray Vaughan stable, which included Toni Price, Johnny and Jay Moeller, Sue Foley, Mike and Corey Keller, and the Ugly Americans. It was a good bar for the Monkeys to hang, and Austin felt so comfortable that when the band called it quits a few years later, she set her sights on Austin at the start of the millennium.
Living in Austin renewed Carolyn Wonderland's focus on her multiple talents, underlining luxurious vocals with fine guitar work, trumpet, and piano, as well as that remarkable ability to whistle on key. A series of each-better-than-the-next discs began with Alcohol & Salvation in 2003 ("songs about booze and God; records are a time capsule of what happened that year"). Her music played in television series such as Time of Your Life and Homicide.
Her circle of musician friends and admirers broadened to include not only Ray [Benson, who produced Miss Understood] but also the late Eddy Shaver, Shelley King, and yes, Bob Dylan, who likened her composition "Bloodless Revolution" to "a mystery movie theme." She began co-writing with locals Sarah Brown, Ruthie Foster, Cindy Cashdollar, and Guy Forsyth; sat in with Los Lobos, Robert Earl Keen, and Ray Wylie Hubbard; recorded with Jerry Lightfoot; and toured with Buddy Guy and Johnny Winter. She also claims membership in the all-girl Sis Deville, the gospel-infused Imperial Crown Golden Harmonizers, and takes aw-shucks credit for inspiring Amsterdam's annual WonderJam.
It was magic in the studio, too, as Miss Understood came to life, a canny mix of Benson's production, Wonderland's compositions, and select covers of Terri Hendrix, J.J. Cale, and Rick Derringer that punched her sound up a notch. As soon as the album roared to life, it was clear the singer-songwriter-guitarist-whistler had delivered on her long-awaited promise.”
"Carolyn Wonderland is the real deal! She's an amazing guitar player. She whistled a solo. She even played the trumpet! And damn, can she sing." - Los Angeles Times
"A dollop of Janis Joplin, a slice of Stevie Ray Vaughan, and a big load of soulful individuality... that's Wonderland, a seething-hot Texas singer-guitarist. And she can write, too! Produced by Asleep at the Wheel's Ray Benson, Miss Understood focuses on tough yet vulnerable blues, but also captures the melodic soul of classic American song... No wonder Dylan is an avowed fan." - Daniel Gewertz, Boston Herald
"When she blisters the guitar and cocks her head fetchingly to sing her songs like "I'm Innocent" she stands in the good company of Sue Foley, Debbie Davies, and Bonnie Raitt. But when she whistles, as she does with disarming ease on another of her compositions "I'm the Man," or picks up the trumpet, she's one of a kind." - Margaret Moser, Austin Chronicle
"One of the most impressively powerful voices recently heard anywhere, regardless of sex. Able to boon, cajole, promise and growl with equal power, she plays guitar with much the same forcefulness!" - Matt Weitz, Dallas Observer
"Carolyn Wonderland's live shows are just outright phenomenal. Top notch, five-stars, off the meter - whatever the clich., Carolyn and her band meet it...Her voice can be as beautiful as an angel and as powerful as a Class 5 hurricane all within the drop of a hat...One thing's for certain, some forces - even those barely five feet tall - cannot be contained." - Dante Dominick, Rockzillaworld Magazine
"Based in Austin, Texas, (Carolyn's) unique combination of musical mastery adds to the state's impressive legacy of sonic genius...Wonderland is also an insightful, gutsy, intelligent songwriter with an extremely versatile talent that spans just about every genre you can name...I am happy to report that at last count my total Carolyn mileage is as follows: 2,304 driving miles and 19,544 flying miles. Trust me - if you ever see them live, you'll understand!" - Kelley Guiney, HotBands.com
ABOUT SASHA DOBSON:
For her third album Aquarius (June 18 / Creek Valley Records), Sasha Dobson, a standout vocalist on the American jazz scene, has created her first album as a songwriter; a raw, honest collection of elegant garage rock, produced by friend and collaborator Joel Hamilton (Sparklehorse, Black Keys, Tom Waits).
The daughter of well-known jazz singer Gail Dobson and Smith Dobson, one of the Bay Area’s most influential pianists, Sasha’s reinvention was sparked by the death of her father in a tragic car accident. “I realized I didn’t want to go down the traditional jazz road without him, and the guitar was something I could channel my grief through, rather than playing music that would trigger it,” reflects Sasha, who started learning guitar at the same time with her friend, Norah Jones.
The two booked shows in dive bars and pool halls, dressed in classic country regalia (the beginnings of their current country trio, Puss n Boots). “Yeah, I could barely hold a chord at the time,” says Dobson, who went on to become a part of Norah’s band. "[She’s] truly one of my favorite NYC singers and songwriters,” adds Jones. “Sasha has completely and beautifully come into her own.”
Dobson began channeling her jazz roots into stranger, grittier sounds and song structures. Feeling protective of the music she’d written for Aquarius, Sasha went through many rounds with producers and musicians before finding Joel Hamilton. “He was the first person who understood what I wanted to say,” says Sasha, who fought against turning Aquarius into a jazz or country-leaning record. “I knew this collaboration was right, in the same way you know you’re in love, or in trouble…”
“Sasha has the depth of character and experience to charge her music with something that makes your soul ache,” says Joel, who became part of the album’s misfit family, along with Sasha’s longtime friends, bassist Tony Scherr and drummer Kenny Wollesen, the latter borne of her father’s far-reaching influence. “This record finally allows her to put her own experiences as a lifelong musician to work.”