Fastball w/ Wesley Stace - 10/2

Monday, October 02 2017 6:00pm Doors / 8:00pm Start

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Mon Oct 02 2017

Fastball w/ Wesley Stace - 10/2

at City Winery New York City

Doors:
6:00pm
Starts:
8:00pm

Tickets

VIP
$32.00
Premier
$30.00
Reserved
$28.00
Bar Stool
$25.00

select seats

Buy My Favorite Seats

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ARTIST VIDEO

About:

Fastball

“It was just circumstance,” Tony Scalzo says of the eight-year recording gap that preceded the new Fastball album, Step Into Light.  “We’ve always been active, and we’ve never really gone a year without doing a bunch of Fastball shows.  But things are really picking up now, and things are rolling like crazy.”

The 12-song Step Into Light, on the band’s own 33 1/3 label, embodies all of the qualities that have endeared Fastball to listeners during the trio’s twenty-year-plus career.  Such catchy, compelling new tunes as “We’re On Our Way,” “Behind The Sun,” “Best Friend,” “Love Comes In Waves” and “I Will Never Let You Down” continue the band’s longstanding legacy of infectious songcraft and pointed lyrics, as well as playfully inventive arrangements that lend additional depth and resonance to Scalzo and Miles Zuniga’s distinctive songwriting.

“My favorite kind of songs,” Zuniga says, “are the ones that have hope in the face of hopelessness.  Songs that say ‘Life sucks and everything’s against me, but I’m gonna smile and survive anyway.’    That’s the essence of rock ‘n’ roll music for me, and I think there’s a fair amount of that on this album.”

Fastball recorded Step Into Light in its hometown of Austin, Texas, with the three bandmates co-producing with longtime friend Chris “Frenchie” Smith (Slayer, Meat Puppets, …And You Will Know Us by the Trail of Dead) at Smith’s studio, The Bubble.  The album was mixed by legendary engineer Bob Clearmountain, who also handled mixing duties on two prior Fastball albums.

“We consciously decided to make this record in a short period of time, so we just went in and knocked it out,” Zuniga explains.  “I really liked working that way, and I think the fact that we recorded it in under two weeks made it a better record.  We didn’t have the luxury of getting too precious about things, so we gave ourselves a hard deadline and pretended it was the 1950s—the record light’s on, let’s do it!  It also helped that we’ve grown a lot as musicians, so we have the ability now to get things right pretty quickly.”

“We had a great time making this record,” asserts Shuffield.  “Working fast was really positive for us, because we had a lot of adrenaline going and there was no wasted time.  A lot of the stuff we did was one or two takes of all three of us playing together in the same room.  You can’t really do that as a new band, but the fact that we’ve been together so long creates a certain unspoken communication that saves a lot of time.”

The resulting album extends and expands Fastball’s widely-loved body of work, which encompasses such acclaimed albums as the band’s 1996 debut Make Your Mama Proud, their 1998 platinum breakthrough All the Pain Money Can Buy (which spawned the Grammy-nominated Top Five hit “The Way”), 2000’s The Harsh Light of Day, 2004’s Keep Your Wig On and 2009’s Little White Lies.

While it’s a natural musical successor to the band’s prior work, the self-financed, self-released Step Into Light—the first Fastball album to get a vinyl LP release—also continues Fastball’s seamless evolution into a resourceful, self-contained D.I.Y. combo.

“We were one of the last bands who got to go into a big studio with a major-label budget, with runners and assistant engineers and cool rented gear,” Scalzo notes.  “We were fortunate to have that, because it was a great learning experience and it taught us to be producers.  There’s a time when you’re the big new thing and everyone loves you, and then there’s a time when nobody’s returning your phone calls.  We’re lucky that we survived that and came out on the other end, and we’re a stronger and better band because of that.”

Step Into Light demonstrates that Fastball’s collective creative rapport, forged over two decades of writing, recording and touring, remains as potent as ever.  “There’s nothing more satisfying than being in a room with those guys and making it sound like a Fastball song,” Shuffield says.  “That chemistry has always been there, from the very first time we played together.  Our history, and the musical journey that we’ve been on together—all that stuff comes out when we play together.”

“The three of us all have our own individual preferences and baggage and whatnot, but there’s a certain sound that comes out when the three of us play together that we can’t get anywhere else,” Zuniga adds.  “We never have to worry about it, it’s just always there, and it’s been there from the beginning.”

“We never really blew it,” Scalzo says.  “We’ve had plenty of chances to embarrass ourselves and do some of the stupid things that bands do, but I don’t think we ever have.  Considering how long we’ve been together, that’s a real achievement.”

Another continuing thread in Fastball’s musical life is the band’s loyal fan base, which has continued to support the band through thick and thin.

“I’m continually amazed,” Shuffield says, “that we’ll play deep cuts and lesser-known songs, and people will know every single word to every song.  It’s extremely gratifying to know that you had that kind of effect on someone, and that the music you created resonates with them so strongly.  Now it’s become a generational thing; our original fans bring their kids to the shows, and then the kids become fans.

With a beloved body of work under their collective belt and Step Into Light making it clear that their musical light still burns as brightly as ever, Fastball is entering a positive and productive period that promises all manner of musical riches.

“When I was younger, there were all sorts of ulterior motives for being in a band,” Zuniga reflects.  “It wasn’t just music, it was all the vices that go with being in a rock band.  But I’m not concerned with any of the other stuff anymore; I just want to make good music.  I think that we’re all enjoying the band more than we ever have.  We’re in a really good spot right now, and we just want to make as much music as we can, while we can.”

“We’re really excited to get out there and play this new material,” concludes Shuffield.  “It’s a blessing to have been doing this for so long and still having new music to play, and we’re thrilled to be able to keep doing this.”

 

 

 

Wesley Stace

Wesley Stace was born in Hastings, Sussex in 1965. Under the name John Wesley Harding, he released 17 albums, ranging from traditional folk to full-on pop. His newest album, Wesley Stace’s John Wesley Harding, will be released on February 24, 2017. Wes created Wesley Stace’s Cabinet of Wonders, a one-of-a-kind variety show with celebrated musicians, writers and comedians. From its home base at City Winery in New York City, where it was called “one of the finest nights of entertainment this city has to offer” by the New Yorker, the Cabinet has since been performed in theaters around the country and around the world. He has also published four novels, including the international bestseller Misfortune, the most recent being Wonderkid. Stace reviews for the Wall Street Journal and the Times Literary Supplement, and he has taught at Princeton, Swarthmore and Fairleigh Dickinson University. He lives in Philadelphia.

 

Website: http://thecabinetofwonders.com

Twitter: https://twitter.com/WesleyStace